While How I Met Your Mother has two seasons lost and adrift, I must confess I still enjoy the series in some strange way. I do not know if they are their characters, or without realizing I've fallen into the cult that both strove to develop the beginning of the series and that makes the mere act of watching these characters in action-but action is the worst fucking bad-can extract something positive. In their favor to be a sitcom . Given what I said in my previous post, if this were a series of forty minutes, the collateral damage from a slump in quality would be much higher. Twenty minutes a week will not hurt. And there's always wanted to spend those minutes with Ted, Barney, Robin, Marshall and Lily. How I Met Your Mother has gone from being a comedy of interesting narrative structure and good characters to a series of watch and forget. And nothing happens.
"Doppelgangers" making good idea, one of those frames- running gag in the style of the Slap Bet , and uses it to spin the end of the season and give us one of those sugary and buenrollistas end to the series we are accustomed. The idea of \u200b\u200bthe fifth doppelganger as a signal for Marshall and Lily decide to have a child plays with one of the key messages present in the series: chance and randomness of events as primarily responsible for the transformation of our lives, and the possibility of taking the lead and not sit around waiting for fate to decide for us. The last scene of the series, in which Lily sees Barney clearly twice when no other, nor do the spectators confirms this idea, and dismissed the season with a nice note and-slightly-touching. Sure it's no genius by any means. This is one of many late in the convention and moralizing are about to ruin the show.
On the other hand, the rest of the episode goes unnoticed, except for the plot of Robin and Don, that couple of which we know absolutely n
ada, whose love story has been entirely the margin of the viewer. Recently, Robin has given me the best moments in the series. However, in "Doppelganger" gives me the worst, starring in a clichéd plot, moreover, has been already used in earlier series, this has recycling was the year of criminal and indiscriminate patterns in many series, I mean the eternal dilemma "I have made a job offer, but to accept it, I have to move." We've seen Robin in this situation, was it necessary to do it again? On this occasion, the action leads to two changes ahead of next season: Robin single-together with a Barney-and determined to regain it again roommate Ted-the almost kiss at the end of the episode was a good punch line . Moreover, the decision serves only to fill Robin minutes of the most lazy, and to show the real Don. But frankly, nobody cares.
Personally, I prefer "Robots vs. Wrestlers" (5.22) as 'conclusion' of this season because I do not care much who mess with whom, the children with Marshall and Lily, or even who is the future wife of Ted. In the end, what I enjoy most is the friendly local dynamics of these five characters. I like to see what unites them and sets them apart, what makes one to the other, despite being so different from each other. And so, How I Met Your Mother is still a good bet to escape reality and have a good time. The friction makes the love, and ultimately I end up gaining sugar.
"Doppelgangers" making good idea, one of those frames- running gag in the style of the Slap Bet , and uses it to spin the end of the season and give us one of those sugary and buenrollistas end to the series we are accustomed. The idea of \u200b\u200bthe fifth doppelganger as a signal for Marshall and Lily decide to have a child plays with one of the key messages present in the series: chance and randomness of events as primarily responsible for the transformation of our lives, and the possibility of taking the lead and not sit around waiting for fate to decide for us. The last scene of the series, in which Lily sees Barney clearly twice when no other, nor do the spectators confirms this idea, and dismissed the season with a nice note and-slightly-touching. Sure it's no genius by any means. This is one of many late in the convention and moralizing are about to ruin the show.
On the other hand, the rest of the episode goes unnoticed, except for the plot of Robin and Don, that couple of which we know absolutely n
ada, whose love story has been entirely the margin of the viewer. Recently, Robin has given me the best moments in the series. However, in "Doppelganger" gives me the worst, starring in a clichéd plot, moreover, has been already used in earlier series, this has recycling was the year of criminal and indiscriminate patterns in many series, I mean the eternal dilemma "I have made a job offer, but to accept it, I have to move." We've seen Robin in this situation, was it necessary to do it again? On this occasion, the action leads to two changes ahead of next season: Robin single-together with a Barney-and determined to regain it again roommate Ted-the almost kiss at the end of the episode was a good punch line . Moreover, the decision serves only to fill Robin minutes of the most lazy, and to show the real Don. But frankly, nobody cares. Personally, I prefer "Robots vs. Wrestlers" (5.22) as 'conclusion' of this season because I do not care much who mess with whom, the children with Marshall and Lily, or even who is the future wife of Ted. In the end, what I enjoy most is the friendly local dynamics of these five characters. I like to see what unites them and sets them apart, what makes one to the other, despite being so different from each other. And so, How I Met Your Mother is still a good bet to escape reality and have a good time. The friction makes the love, and ultimately I end up gaining sugar.
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