Determined. The episode closes the third season of Gossip Girl , "Last Tango, Then Paris" is for me the end of the series. After a season even more eternal than the last, I am more aware than ever of the real waste of time that I am supposed to follow the 'exciting' adventures of this group of adolescents-is interpreted by actors say, 25. At first I thought I could wear to finish due to the season, saw nine episodes in three days. After they hatch the idea about minutes I realized it was greatly undervalued. I'm tired of the series because it has saturated me to see so many back episodes, I'm tired because I do not provide any motivation to keep watching, and thanks to the grueling marathon that I have come to that conclusion. Gossip Girl
was during his first season my favorite guilty pleasure . It had everything to gain my wholehearted devotion. Was created by Josh Schwartz, the head of another of my guilty pleasures, The OC -this is infinitely better to the point of eliminating it for 'guilty' on many occasions, was a story about teenagers and was shot in New York-sin distort locations. The self-consciousness and self-reflexivity that each dialogue peppered The OC was also present in Gossip Girl, as in the first, increasing over time. The difference is that with increasing metatextual games and self references in The OC , the characters actually showed signs of evolution, which does not happen in Gossip Girl . The Upper East Side boys stood there in the first year. As much as they are constantly exposed to traumatic experiences and their love lives extraordinary, social and family suffering rebuke continuous-in many cases, gravity-in the end, all are ready for the party in power that serves as a narrative of each episode.
This third season has fallen more low, because, as is often the case with most teenage series, Gossip Girl has suffered the consequences of moving their stories from high school to college. Not that the defining academic experience to Gossip Girl, but the silliness of the protagonists had
grace set in high school, thanks to the great burden that this implied satirical. Something similar happened with Veronica Mars . The protagonist was a young detective and the main attraction of the series in addition to his charismatic star, Kirsten Bell, the voice of Gossip Girl, "was moving the black genre elements into the corridors of the institute. It was a great idea with excellent results during his first two seasons. Arrival in the third, with Veronica in college, the essence of the series was lost in some way, although the quality was maintained. In the case of Gossip Girl , the university has only served to shift attention completely to the 'home' of the protagonists, so the family dramas, the stupefying plots on Chuck's mother and the father of Serena and the endless splits and reconciliations, we do not know who's been with whom, and we care-take the entire season. Back was the sharp social commentary about class warfare in American institutions and the importance of new technologies to define adolescent relationships in the XXI century. All that remains in Gossip Girl telenovela is the component, and that's not enough. Watching these teenagers acting like adults in an adult world is just ridiculous and if I may comment on crock, something dangerous to the teen audience of the series.
The truth is that the season started on the right foot, with the promise of exploiting the characters' personalities in an environment as different as the university. Then everything went by the wayside. What followed is a stretch of the plot that if opponents of Lost see it, should rethink his criticism of the set of JJ Abrams. All to come to an end which still has the tone of the rest of the season: insignificance, emptiness and boredom. I said, and is not worth guilty pleasure.
"Last Tango, Then Paris" uses the more traditional cliffhangers, lazy, infidelity, pregnancy, possible death of a character and travel to Paris. The only closure that I found
satisfatorio is one of the most hostiables television, Jenny Humphrey. The epiphany that leads away from Manhattan after sleeping with Chuck I found a good spin, despite arriving extremely late - how much we hated Jenny this season? More than ever!. Moreover, little to report. Perhaps only the absurd presence of Georgina Sparks, Michelle always fun-disguised Tratchenberg Hannah Montana and repeating the opening sequence starring Serena in the pilot-hence the self-reflexivity, but why? The other characters are bored and irritated in equal measure. Dan's relationship, the man who speaks faster and less vocalizing, and Vanessa, the more incoherent character of the series tells of how a relationship between best friends, a field worth exploring and totally wasted. On the other hand, assumes that we have to worry about the future of the primary relationship of the series, Blair and Chuck, but these two were no longer interesting minimally long ago not to say that the chemistry between the actors is zero. And finally, Serena and Nate have sex with food and fights whose origin is beyond our understanding. Nothing there, nothing around here.
short, not a single character from Gossip Girl not be me, at least odious. Even Blair is saved and Waldorff, once adored by me. Dorota is an exception, but let's say she does not have-I hate to say it, but it's true. For all this, Gossip Girl left, facing the upcoming fall TV season, a gap of one hour a week for another series that I reward the investment of time, I hate to think in these terms, but we must be practical and not wear me neurons. What is clear is that they'll look at The CW.
was during his first season my favorite guilty pleasure . It had everything to gain my wholehearted devotion. Was created by Josh Schwartz, the head of another of my guilty pleasures, The OC -this is infinitely better to the point of eliminating it for 'guilty' on many occasions, was a story about teenagers and was shot in New York-sin distort locations. The self-consciousness and self-reflexivity that each dialogue peppered The OC was also present in Gossip Girl, as in the first, increasing over time. The difference is that with increasing metatextual games and self references in The OC , the characters actually showed signs of evolution, which does not happen in Gossip Girl . The Upper East Side boys stood there in the first year. As much as they are constantly exposed to traumatic experiences and their love lives extraordinary, social and family suffering rebuke continuous-in many cases, gravity-in the end, all are ready for the party in power that serves as a narrative of each episode.
This third season has fallen more low, because, as is often the case with most teenage series, Gossip Girl has suffered the consequences of moving their stories from high school to college. Not that the defining academic experience to Gossip Girl, but the silliness of the protagonists had
grace set in high school, thanks to the great burden that this implied satirical. Something similar happened with Veronica Mars . The protagonist was a young detective and the main attraction of the series in addition to his charismatic star, Kirsten Bell, the voice of Gossip Girl, "was moving the black genre elements into the corridors of the institute. It was a great idea with excellent results during his first two seasons. Arrival in the third, with Veronica in college, the essence of the series was lost in some way, although the quality was maintained. In the case of Gossip Girl , the university has only served to shift attention completely to the 'home' of the protagonists, so the family dramas, the stupefying plots on Chuck's mother and the father of Serena and the endless splits and reconciliations, we do not know who's been with whom, and we care-take the entire season. Back was the sharp social commentary about class warfare in American institutions and the importance of new technologies to define adolescent relationships in the XXI century. All that remains in Gossip Girl telenovela is the component, and that's not enough. Watching these teenagers acting like adults in an adult world is just ridiculous and if I may comment on crock, something dangerous to the teen audience of the series. The truth is that the season started on the right foot, with the promise of exploiting the characters' personalities in an environment as different as the university. Then everything went by the wayside. What followed is a stretch of the plot that if opponents of Lost see it, should rethink his criticism of the set of JJ Abrams. All to come to an end which still has the tone of the rest of the season: insignificance, emptiness and boredom. I said, and is not worth guilty pleasure.
"Last Tango, Then Paris" uses the more traditional cliffhangers, lazy, infidelity, pregnancy, possible death of a character and travel to Paris. The only closure that I found
satisfatorio is one of the most hostiables television, Jenny Humphrey. The epiphany that leads away from Manhattan after sleeping with Chuck I found a good spin, despite arriving extremely late - how much we hated Jenny this season? More than ever!. Moreover, little to report. Perhaps only the absurd presence of Georgina Sparks, Michelle always fun-disguised Tratchenberg Hannah Montana and repeating the opening sequence starring Serena in the pilot-hence the self-reflexivity, but why? The other characters are bored and irritated in equal measure. Dan's relationship, the man who speaks faster and less vocalizing, and Vanessa, the more incoherent character of the series tells of how a relationship between best friends, a field worth exploring and totally wasted. On the other hand, assumes that we have to worry about the future of the primary relationship of the series, Blair and Chuck, but these two were no longer interesting minimally long ago not to say that the chemistry between the actors is zero. And finally, Serena and Nate have sex with food and fights whose origin is beyond our understanding. Nothing there, nothing around here. short, not a single character from Gossip Girl not be me, at least odious. Even Blair is saved and Waldorff, once adored by me. Dorota is an exception, but let's say she does not have-I hate to say it, but it's true. For all this, Gossip Girl left, facing the upcoming fall TV season, a gap of one hour a week for another series that I reward the investment of time, I hate to think in these terms, but we must be practical and not wear me neurons. What is clear is that they'll look at The CW.
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